68. PEE WEE'S PUNK HOUSE

Seattle artist Travis Ritter returns to discuss the punk connections to Pee-wee's Playhouse and the endless creative impact of Paul Reubens.
Paul's beginnings with the Groundlings, bringing outcasts together, building timeless worlds, defining generations of delightful weirdos 🖤

BONUS: Jump into a portal and land in December 2020 🌀 to hear all about the three album artists who worked on the Playhouse: Gary Panter, Wayne White, and Phil Hartman. Punk/puppets and yes, Kap'n Karl designed a Steely Dan record!

Thanks for tuning in! Please share with other vinyl and design freaks. 

Travis is @compassruler

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Sorry for making this

Sorry for making this

In episode 25, Totino Pizza Boy @compassruler and I discuss the work and life of artist Gary Panter....and the other album designers (Wayne White and Phil Hartman) that worked with him on the TV show Pee Wee's Playhouse. Screamers is the magic word! AAAH

GARY PANTER

Record Covers

Collabs

WAYNE WHITE

Here Come the Boren Sisters |

Seattle art fair, 2018

“I started in with puppets when I was a 21 year old Art School Andy Kaufman fan. It was all about arty deconstruction and Punk Rock. No Muppets. No innocence or sassy fuzzballs with ping pong ball eyes. I liked hard faces made out of wood,rubber,paper mache or just plain old cardboard that did awkward things. I got lucky and got to jump into a commercial world with my bad attitude. Pee-wee’s Playhouse made me better at the craft,as did all the rest of the shows that followed. Much like animation,I love any art form where you can make your creation move,talk and come alive.” –Wayne White

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Before he was Kap’n Karl, Phil Hartman was a professional graphic designer!

 

 “Deacon Blues” performed by Simon Fransman @simonfransman